Page 20

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Page 20

Materials used: An Olympia Splendid 66 typewriter, with no exclamation mark (!).

Other information: The moments of revelation and collapse from the climax of Honoré de Balzac’s short story “The Unknown Masterpiece” reversed as per Frenhofer’s balance of beauty to chaos: “In the corner of the canvas, as they came nearer, they distinguished a bare foot emerging from the chaos of colour, half-tints and vague shadows that made up a dim, formless fog.”

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